
I've resisted the temptation of reading the book for as long as I could, despite my penchant for conspiracy theories, but I finally gave in when I found a printed/pirated (on a printer not at a typograph) copy my dad gave to my mom for her birthday, which she never read (he is the king of uninspired presents, with a monkey statue carved out of a coconut and a goblen to his record). A book liked by that many people can't be that good. But it was engaging to say the least. I was on my toes until the last page. The dialogue was not brilliant or some deep metaphysics involved, but the historical references and the research were done well enough to make you think there is a possibility of truth involved. After all, we all like to chase our own Holy Grails at one point.
But the film was a fairly cheesy mess. A visibly older Hanks (and the haircut did him no favours, although he is supposed to look like a professor) plays a bemused Robert Langdon that doesn't get a chance to get more than tri-dimensional at best (specialist in symbolism, claustrophobe, American) and it's not his fault cause he usually delivers. The lovely Audrey Tautou (with which many people told me I look like)that never really falters by me because she's as cute as a button gets the part of Sophie Neveu, the sharp French cryptologist that turns out to hold the key to one of the best kept secrets of Christianity. Jean Reno is the French inspector that is supposed to look and behave like an enraged bull, but he merely manages an agitated poodle. At least he doesn't have to bother much with English in this movie. Maybe I am just so used to him in American movies, I need to hear him speaking with an accent.
For those of you who slept in a igloo for the past three years, until the ice started melting polar cap, the story goes like that. Old curator at Louvre is murdered by uber creepy albino monk (Paul Bettany as hot as ever), same night famous Harvard symbolism professor (but of course, no one has ever heard of a Bowdoin prof) is supposed to meet said curator for a drink and is picked up by French police from a middle of a book signing and taken to murder scene where dead man had scribbled a few anagrams and symbols (Fibonacci blabla). Hot French officer arrives at the scene and warns American he is in great danger of being arrested as sole suspect, thus they both establish a route of escape from the bowels of Louvre, but not before quickly spurting out the solutions to the quizes. A whole set of theories about the Knights Templar and Priory of Sion are set in motion, just like the heroine's Smart car on the streets of Paris. The French secret police ("like the French FBI" according to Reno's character) is always strangely two steps behind the fugitives who try to discover the true killer from the speed of a car chase(and I mean strangely because we all know that French services are not among the country's fortes, not even the secret police whom I envision being more concerned with their glass of Kir or their cafe than with two scared suspects). Many subplots and riddles are scraped from the script, yet the fact mysteriously fails to tighten the action or to make it upbeatly believable. The lines fall flat on the ground like the poisoned butler(Oooops, I gave it away!) and even Tom Hanks looks uncomfortable in the frame, like he's ready to lie about having forgot his glasses and run for the trailer. Tautou tries her best to be professional, emotional and cute in English and she builds a semi-solid semi-sweet Sophie. But there's no chemistry, and you can tell at the end, which they changed (why?), when Robert kisses her chastely on the forehead (like a father, American public can't really stomach him in a romantic lead anymore?).
Ian McKellan is fantastic as an eccentric Englishman obsessed to the brim with the legends of the Holy Grail. He's the only one who looks like he enjoys being there and acting the hell out of it. Plus he has a hot butler...
Great locations, almost 80's feel of adventure camp.
Ron Howard, what happened? Are you trying to keep a secret? Please don't tell me it's a sequel.














